Soundcuts

Adele directed the UK and European sessions for Immortals Fenyx Rising. She brings focus and energy to every recording session. Actors love working with her. And, even better, she always knows what to do to take the performance to the next level.

Soundcuts went above and beyond in creating the sound design for our title. They triple checked every sound in game and were still providing tweaks and updates long after we were completely happy. True dedication to the art.

Frighteningly talented and organised… a creative force… a joy to work with too!

Brilliant to work with… always quick to respond… the game sounds AAA!

Soundcuts’ passion for audio, and it’s delivery to the player, comes through in every interaction. The Quarry wouldn’t have been the same without them in the mix.

Ross and the team at Soundcuts were truly a dream to work with, ever reassuring, capable, and creative.

Soundcuts have been an amazing support and an incredible guide into the journey making our first game - giving our story and its characters the presence and the spirit we were looking for and building a universe that feels real and grounded.

Adele knows exactly what she’s after, what she’s doing technically and creates a hugely enjoyable atmosphere.

Stands out from the crowd when it comes to understanding the needs of the games world…casting and voice directing is rarely bettered.

Soundcuts did an amazing job with our console conversion of Planet Coaster. After they did such a great job casting, directing and editing on Planet Zoo, it was an easy decision for us to turn to them again. For Planet Coaster, Soundcuts performed all of our casting, voice direction, recording and editing, as well as introducing us to our script writer. Soundcuts always made themselves available to us and always delivered. Adele is a brilliant voice director and her years of professional experience count for so much. I would not hesitate to recommend her and her company.

There is a deep, deep love for our craft and every job is taken on with the simple, single-minded goal of “How can we make this sound AWESOME?” And, an often overlooked aspect of the role of an Audio Provider, all of the logistics around the creation and delivery of awesome audio are given a level of skill and dedication that few others companies can offer. It isn't just about creating the best assets, it's about communication with clients, clear indication of progress, timely feedback and thoughts about how we drive the audio past initial briefs and expectations. We're a part of the team, not just a company at the other end of the phone / email chain.

When I founded Soundcuts Ltd in 2011, I wanted it to be a place where passionate audio people - sound designers, technical sound designers, composers, music editors, dialogue designers, audio producers and directors could come and work remotely, creating high quality audio assets as a team, with like minded individuals. A team that could work closely together, sharing knowledge in a positive environment where anyone could feel comfortable asking questions, sharing opinions and feedback no matter what level of experience. I'm incredibly proud of the team we've created here. All of us go above and beyond to make awesome audio and give our clients the best experience.

Soundcuts embraced me into their wonderful team from day one. They have provided with mentorship and guidance and have created a supportive work environment that is fun, positive and pushes learning and personal development. I would recommend Soundcuts to anyone from any level in the industry. But especially for newcomers this is a place you can call home and develop your skills on a vast array of awesome projects with great mentors!

The company is very kind to its employees with its remote working, friendly atmosphere, everyone being approachable, etc. I’m not just speaking for myself when I say that we all love working here and not just because it’s working in sound!
There is good career progression within the company! For example with me I started as an assistant composer having no real AA/AAA experience but in the 3 years I’ve been here I’m no longer junior and have even ‘lead’ some of the smaller projects and learned lots of new skills (dialogue editing, vocal direction, Wwise, etc).